Difference between revisions of "Immersion"
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== Links == | == Links == | ||
*[http://www.designersnotebook.com/Lectures/Roots/roots.htm The Philosophical Roots of Computer Game Design] by Ernest W. Adams (2004), Game Developers' Conference, San Jose, California. | *[http://www.designersnotebook.com/Lectures/Roots/roots.htm The Philosophical Roots of Computer Game Design] by Ernest W. Adams (2004), Game Developers' Conference, San Jose, California. | ||
| − | :'''Abstract''': This lecture is a theoretical discussion of the historical, social and technological forces that produced the contemporary culture of computer game design and development. Although game design might seem to be primarily about making successful commercial products, in fact the subjects we choose to explore in our games are not necessarily dictated by the market, but are the product of our own peculiar philosophical origins. As digital technologists we work with the ''classical'' tools of logic and order; as creative people we strive for the expression of ''romantic'' ideals. This tension between the classic and the romantic sides of our medium is the source of some of our more intractable creative problems. This lecture is not intended to offer specific solutions, but to enlighten and entertain. | + | :'''Abstract''': This lecture is a theoretical discussion of the historical, social and technological forces that produced the contemporary culture of computer game design and development. Although game design might seem to be primarily about making successful commercial products, in fact the subjects we choose to explore in our games are not necessarily dictated by the market, but are the product of our own peculiar philosophical origins. As digital technologists we work with the ''classical'' tools of logic and order; as creative people we strive for the expression of ''romantic'' ideals. This tension between the classic and the romantic sides of our medium is the source of some of our more intractable creative problems. This lecture is not intended to offer specific solutions, but to enlighten and entertain. |
| + | :[http://www.designersnotebook.com/Lectures/lectures.htm Other lectures by Ernest W Adams] (1998-2014) | ||
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*[https://core.ac.uk/download/pdf/41537975.pdf In The Game : An Exploration of the Concept of Immersion in Video-Games and its Usage in Game Design] by CMS Ojeda (2007) | *[https://core.ac.uk/download/pdf/41537975.pdf In The Game : An Exploration of the Concept of Immersion in Video-Games and its Usage in Game Design] by CMS Ojeda (2007) | ||
:'''Abstract''': This thesis outlines a research project whose aim was to develop a design taxonomy for the creation of immersion in video-games. These guidelines can then be used in-sync with different stages in video-game design and development to ensure an immersive experience. Integral to this is the 'suspension of disbelief' the end user experiences when fully immersed in a video-game (Holland, 2002; Mediacollage.com, 2006). | :'''Abstract''': This thesis outlines a research project whose aim was to develop a design taxonomy for the creation of immersion in video-games. These guidelines can then be used in-sync with different stages in video-game design and development to ensure an immersive experience. Integral to this is the 'suspension of disbelief' the end user experiences when fully immersed in a video-game (Holland, 2002; Mediacollage.com, 2006). | ||
[[Category:Factual]][[Category:Concepts]] | [[Category:Factual]][[Category:Concepts]] | ||
Revision as of 13:58, 6 September 2021
Please note: This Page is under construction!.
Links
- The Philosophical Roots of Computer Game Design by Ernest W. Adams (2004), Game Developers' Conference, San Jose, California.
- Abstract: This lecture is a theoretical discussion of the historical, social and technological forces that produced the contemporary culture of computer game design and development. Although game design might seem to be primarily about making successful commercial products, in fact the subjects we choose to explore in our games are not necessarily dictated by the market, but are the product of our own peculiar philosophical origins. As digital technologists we work with the classical tools of logic and order; as creative people we strive for the expression of romantic ideals. This tension between the classic and the romantic sides of our medium is the source of some of our more intractable creative problems. This lecture is not intended to offer specific solutions, but to enlighten and entertain.
- Other lectures by Ernest W Adams (1998-2014)
- In The Game : An Exploration of the Concept of Immersion in Video-Games and its Usage in Game Design by CMS Ojeda (2007)
- Abstract: This thesis outlines a research project whose aim was to develop a design taxonomy for the creation of immersion in video-games. These guidelines can then be used in-sync with different stages in video-game design and development to ensure an immersive experience. Integral to this is the 'suspension of disbelief' the end user experiences when fully immersed in a video-game (Holland, 2002; Mediacollage.com, 2006).
